Brian de Palma's film about a middle-aged man who meets a younger woman that is the spitting image of the man's late wife (who died in a car accident many years before) is often criticized as being merely derivative. But although de Palma's movie is clearly inspired by Hitchcock - he even got Bernard Herrman to compose the music - it tells a story that's quite distinct from the one in the 1958 masterpiece. Indeed one might argue that Vertigo's more important influence is stylistic, the beautiful score sometimes seeming to play endlessly to the painstaikingly composed frames depicting the man's, well, obsession with the young woman. An exercise in style that succeeds all the way. (8)
Roger Ebert sort of agrees.
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