This silent ten-minute documentary, if you want to call it that, portrays a day in the life of Manhattan. Watching completely silent films (without music) is an experience I'm only getting used to, but it helps to look at the film as a series of animated photographs. "Moving pictures", you might say. (7.5)
Evil capitalist gains control of the wheat market, as a consequence of which poor people can't buy bread anymore in Griffith's early short which, despite running for a little over 14 minutes, is too long. A must-see if you're writing a history of anti-market films. (4)
George A. Romero's template for pretty much all zombie films to follow it is visibly cheap, but not all that trashy and reasonably diverting, but no more. (6)
Girl suffers under the thumb of her adoptive father who suffers from bad English ("I'll teach yer!") and anger management issues ("I'll teach yer!"). Girl falls in love with gentle Chinaman (played by a pretty Caucasian-looking Richard Barthelmess). Violence. - There's not a lot to say about D.W. Griffith's acclaimed silent melodrama except that it's not very good. (5.5)
The fragment of the first-ever film version of Alice's Adventures in Wonderland (more info) is a bit weak in terms of overall narrative structure, the growth-shrink scene is too long and, worst of all, the cheshire cat is badly miscast! (5)
When Audrey Hepburn's husband dies, a lot of men think she has a quarter of a million dollars the man's left behind - and try to get it despite her assurance that she doesn't know what they're on about. - Set in Hollywood's version of Paris and also featuring Cary Grant, this was just the charming little crime comedy that I expected it to be. Not exactly The Ladykillers, but a good pick for a rainy Sunday (or cold New Year's Day). (7)
A man finds out he's been poisoned and only has a few days left to live and spends them on finding his killers - now isn't that a cool idea for a crime film? Though somewhat hard to follow at times, the movie, shot in stark, grainy black & white and set to a soundtrack the expressiveness of which borders on the camp, moves at a speed befitting its subject matters and doesn't waste any time on cinematic subtleties. Wham, Bam, Bam! (7.5)